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Archive for the ‘Public speaking’ Category

I’m so honoured and proud to announce that my most recent book, A Radiant Life: The Honourable Sylvia Fedoruk Scientist, Sports Icon and Stateswoman (University of Regina Press) was both nominated for, and won, the 2021 Saskatchewan Book Award USask President’s Award for Non-Fiction. My biggest thanks to the Saskatchewan Book Awards and to the three judges in my awards category: Anne Budgell, Annahid Dashtgard, and Ariel Gordon.

The other nominees are luminous, with critically important and/or really fun books:

Genocidal Love: A Life After Residential School (University of Regina Press) by Bevann Fox.
Flat Out Delicious: Your Definitive Guide to Saskatchewan’s Food Artisans (Touchwood Editions), by Jenn
Sharp (photography by Richard Marjan).
Loss of Indigenous Eden: and the Fall of Spirituality (University of Regina Press) by Blair Stonechild.
In Search of Almighty Voice: Resistance and Reconciliation (Fifth House Publishers) by Bill Waiser.

If you’re so inclined, and didn’t get a chance, I recommend that you take the time to watch the two videos created by the Saskatchewan Book Awards for the event. The first is the video for the shortlist, so you can stock up the next time you’re in a bookstore:

Saskatchewan Book Awards: Shortlist 2021

The second is the video with this year’s chosen award winners and gala:

I’m absolutely gratified by the nomination, and then by the win, in part because I had such an unexpected hiccup while writing the biography. I came to the biography by way of friendship with C. Stuart Houston, a Canadian radiologist, medical historian and ornithologist. He had the idea that Sylvia’s biography should be written, and that he thought I should take the lead on that and he would help. Our partnership was not in writing (my job) but in background research, as Stuart spent a bit of time searching out some of Sylvia’s published journal articles, and spoke with several of her colleagues. It soon became clear, though, that we had quite different visions for the book. I was deeply interested in Sylvia’s sports and volunteer history, as well as her medical research after her groundbreaking cobalt-60 work and her role as the first female USask Chancellor and first female Saskatchewan Lieutenant Governor. She had a huge life, well-lived, that deserved time and energy. Stuart’s focus tended to the firsts, lists of her many accolades, and would often veer into side biographies of men and women that Sylvia hadn’t necessarily worked with or even met. I pulled him back, and off he’d go again. Even so, those differences were navigable, more or less, until we hit a rather large snag.

That large snag was the story of USask student, Christopher Lefler. Lefler came to Saskatoon to pursue a masters in art, and he was a cutting edge student doing avant garde artistic installations which regularly pushed audiences to places that they hadn’t expected to be. As I went through Sylvia’s files in the archive, then pored through newspaper articles and W5 CTV segments and documentaries and spoke with people, the connection between Lefler and Fedoruk was impossible to ignore, and impossible to leave out of the biography.

In essence, the story is simple: Christopher Lefler created artistic installations that worked to ‘out’ Sylvia Fedoruk as a gay woman, while she was the head of government as the Lt Governor of Saskatchewan. The result was a university, a provincial media, and a provincial government who moved entirely in lock-step to protect her: removing and censoring the art installation, retracting Lefler’s funding and supervisor, eventually expelling him from the university; media refusal to publish her name in connection with the story and censorship of the student newspaper (The Sheaf) when they aimed to publish the story; and the provincial government rescinding a jury-awarded Saskatchewan Arts Board grant to Christopher Lefler, the only time in Saskatchewan history that an awarded grant has been rescinded.

It was a huge, huge story and Stuart did not want the book to include it. A sentence or two, a paragraph at most, he declared. It didn’t deserve more. Stuart and I were at an impasse. I knew something was a bit wrong when he tried, on a regular basis, to steer me away from speaking with certain people, people that I knew had been close with Syl. It’s only in hindsight that I managed to put it all together: Stuart thought that even including this story would give readers the indication that Syl was, indeed, a gay woman. I, on the other hand, didn’t care at all about trying to ‘prove’ one way or the other Sylvia Fedoruk’s private life and sexual identity. I saw the story instead as one of power, of how it moves and can be focused, how it is actioned and how it protects and ostracizes. It also was a story that, in the end, showcased just how much Sylvia Fedoruk meant to the province: its government, university, media and the general public. Stuart said, vehemently, that he did not want to be part of a book that included that story. So we broke the planned co-authorship and I continued writing. It was a sad time, yet I knew I couldn’t make any other choice, and neither could he.

Even so, with the chapter fully written, I worried: should I include it? Would it overpower Sylvia’s story and her many contributions? So I asked my Mom, who in 2018 was dying from metastatic lung cancer. Mom, this is the story. Should I include it? Yes, she said, with fervor. Yes. You must include it. It’s when we see the dark parts of Sylvia’s life, Mom argued, that we also see how bright she shone. The book was dedicated to my Mom, Mary Kirychuk McGowan.

When I submitted the too-large manuscript to the press and asked for some help and direction in cutting the thing down to manageable size, I started to wonder: are they reading it? Had they got to the Lefler chapter yet? I had politely enthusiastic responses and some vague directions. Then BANG: my phone started to hop with texts and emails. A ha, I laughed. They got to that chapter. My editor was retired newspaper journalist Sean Prpick, and we meshed as a team over that chapter, in long phone calls and discussions, some cajoling, and some recalcitrant stubbornness to polish that chapter and make it as smooth as we could.

When I submitted the draft manuscript to the publisher in January of 2019, I also took a copy to Stuart and Mary Houston, for their review and editing. I gave them two different coloured pens, and instructions that I wanted both of their comments, but in different pens. It’s clear that Stuart read it first, with copious comments in red in the margins, especially about the medical history contained in the book. Mary’s pen was green, and hers made me laugh uproariously. If Stuart made a comment with which she disagreed, the green pen would gently stroke out his red exhortation and calmly say, ‘no’. It was a masterclass in editing, and in marriage.

There were no pens, of either colour, on the Lefler chapter. I wasn’t expecting them.

When the book finally went to press in 2020 and the author copies came in July, I drove to Saskatoon to take one to Stuart. Mary had, to everyone’s sadness, passed away in 2019 but Stuart and I toasted the book with a drink. Then I left and he read it, again and again and again over the course of the fall of 2020 and winter of 2021. Every few weeks, there would be another phone call and either a long chat or a message on my answering machine: I’ve read the book again, and underlined so much, and I only underline what you got right, and now the whole book is full of underlines. His praise meant so much.

On one of those calls, he quietly admitted that he saw why I included the Lefler chapter, and recognized that it belonged, even if he didn’t like it. It was, for both of us, a warm ending.

When A Radiant Life was awarded the Saskatchewan Book Award for non-fiction in late June of 2021, I tried calling Stuart. No answer, and a full voice mail so I was unable to leave a message. I kept trying, for weeks, covid still keeping restrictions on visitation. I never got through. At the end of July, I learned that Stuart had suffered a stroke and seemed to be recovering, but on July 22nd, he slipped away to join Mary. We never got that chance to connect and celebrate the win — but, I think, he knew.

I am intensely proud of this book, and I hope each and every one of you takes a chance on it, and reads it. Sylvia Fedoruk was a life force; her energy still radiates. I welcome you to come and meet her — you won’t regret it.

The University of Saskatchewan hosted the online book launch for A Radiant Life in September 2020 — with Merle Massie and Dr. Vera Pezer

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One of the most interesting projects to ever land in my lap is the new Women For Saskatchewan site.

Back in August, I was contacted by the one and only Winter Fedyk . She said, I have this idea. I want to build a website and invite Saskatchewan women to write posts. The posts can be about anything they want, but with a view to giving policy suggestions for Saskatchewan. What do you think?

Well, when an opportunity like that drops into your lap, you say yes, and fast!

I was smack dab in the middle of the release and online launch of my most recent book A Radiant Life (I have a blog post or two about that story…) so I was a bit busy to start with. Then, things really got rolling and the site launched on October 1st.

What a whirlwind! I had a post on the site right off the bat, from the launch. It’s my challenge for Saskatchewan’s new Chief Firearms Officer, and it’s not what you might think. People see the word ‘firearms’ and they think ‘gun control.’ But that’s not what I call for. It’s a really personal story. I talk about my family’s walk through gun suicide, and what I think we, as a gun community, can do to help address that issue. The post started as a Twitter thread; the blog version is tighter, tougher, and direct.

The blog post led to a call from CBC Saskatchewan — would you please talk about this idea on the radio? So there I was with Stefani Langenegger, chatting on CBC Morning.

A week or so after the first post, I had another post drop into the site. This one also has a story, and argues that Saskatchewan has a map problem. It’s a piece that I had in my mind from the minute that Winter contacted me: Merle, what policy issues would you bring up? I thought: Saskatchewan has a map problem. And that became the title, and the argument.

Then, things somehow started to snowball. First, Loleen Berdahl, the new Executive Director of the Johnson Shoyama Graduate School of Public Policy, asked me to join a lunchtime political panel hosted by the Department of Political Studies at USask. I stepped in at the last minute as one of the panelists came down with an illness, but it was nonetheless an illuminating and really fun event.

My task was to bring in a farm and rural perspective to the debate, so I did — pointing out that a few things look quite different from the farmgate versus the city. The points caused a lot of head-nodding, and a few ‘I never thought of that’ comments. The “I never thought of those points” responses were reiterated a couple of days later during a Women for Saskatchewan editorial meeting. I thought … hmmm… I seem to be onto something. So another tweet string erupted!

The tweet string brought lots of comments, retweets and likes, which always indicates when I’ve hit a bit of touchstone. So the Women For Saskatchewan Editorial committee decided, hey, let’s make this into a podcast!

So we did…

It’s been an absolute joy to be a part of this amazing initiative — and I’m excited to see where it’s going to go. Please, please, take your time and go through the Women for Saskatchewan site. There are so many excellent, visceral, deeply intriguing or painful or sharp or insightful articles. I promise, they are well worth your time.

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In the fall of 2016, I was approached by C.P. Champion, editor of The Dorchester Review, to join a chorus of other writers offering short commentary pieces in response to the question: “How can we strengthen our traditions?”

An innocuous question, and not particularly specific, but then again, that was the point. It’s the context where that question found its legs: throughout 2017, there was a Canadian — and worldwide — conversation around statues, building names, and colonialism that sent tempers soaring, municipalities running, and social media humming.

Campion’s original email set the tone: “Casting a wary eye over the current wave of iconoclasm, statue-toppling, quasi-forced resignations, and all-round history-purging…”. So, the point of view is ‘wary.’ Huh. So I had to really think: Is this the genre of scholarship where I fit, especially since I’m no longer a practicing scholar?

The Dorchester Review receives mixed accolades, and that’s just fine by me. I’ve never been comfortable with the scholar-as-activist model, I do believe that there are points to be made on many sides of a lot of issues, and by the way, they offered to pay me — which is something no ‘scholarly’ journal has ever offered for my work.

Published twice per year by the Foundation for Civic Literacy, The Dorchester Review is a literary and historical journal that deliberately challenges concepts of political correctness. There are a lot of older white men propounding in the pages, and at times I read little more than a more refined version of the same arguments that fill the air at the local John Deere dealership, but even so, gems can be found. If you’re an armchair military historian, there will be much to enjoy. A lot of it is an uncomfortable read for me — but, I’m OK with that. Discomfort is important. If we only read the stuff we already agree with, what exactly are we learning?

The forum is called Safe-Guarding Traditionswhich includes thoughts from twenty-three writers, including me. And — here was the publishing dream — my name is on the top-row, between two authors whose work I enjoy: David Frum and Noah Richler. How about that! I enjoyed Brigitte Pellerin‘s call to “Be the Change,” to strengthen our own ability ‘to converse with others in the political arena’ while listening to points with which we disagree. Noah Richler’s “The Healing Circle” wants Canadians to tear down our existing house of Parliament to construct a new one. That was a bit of a hard pill for me, a past member of the Saskatchewan Heritage Foundation. Yet the central point is exquisite: our leadership (MPs, elders and senators, and the Canadian people and press gallery) should sit in three concentric healing circles in a new space without colonial history. David Frum asks us to rename the August long weekend holiday to commemorate the battle of Amiens, a turning point in World War I. That, too, bears thought.

But I wrote something completely different. I started on the expected route, examining “How can we strengthen our traditions?” and how I might answer it. My preference has always been for buildings, bridges, and other social landmarks to be named for anyone or anything other than politicians (plants, animals, birds, heck, insects would be better in some cases); and I’m in favour of more statues, not less (supports the broader arts community, gives a focal point for public spaces, and a place for birds). But, were these points truly unique? No. So…delete delete delete.

Moments before the deadline, I had a bit of an epiphany. I didn’t have to write about statues, parliament, pieces of paper or names on buildings. What were some of our Saskatchewan traditions…and how could we in Saskatchewan make them stronger? Campion’s invitation arrived in fall, it was CFL season, and the Riders were top of mind. So, I thought, there is my hook. How can we in Saskatchewan make our Rider traditions even better?

I came up with a little piece I call Green is the Colour.

Green Is the Colour

For copyright reasons, I can’t reproduce the whole thing here. But here’s the final call (while crossing my fingers which I’m hoping will not be slapped too hard):

green-is-the-colour-2.jpg

So… Federated Co-operatives Limited, that’s your next project: create for us a potion. And sell it at the co-op. That is how we’ll strengthen a major Saskatchewan tradition.

 

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Saskatchewan Heritage Foundation

The new homepage of the Saskatchewan Heritage Foundation https://www.saskheritagefoundation.com/ 

Well, it’s happened: I’m mentioned in the Hansard! (See page 32, under Bill 90, and keep reading).

If you’re not a historian, the Hansard is the record of what is said in the Saskatchewan legislature. It contains the debates, transcribed, as well as the record of visitors, bills being put forward, and shows the province’s political leaders going about the business of government. It’s a great resource to know what’s happening, and to track political debate over time.

So, how did I get there? I wrote an op-ed about the Saskatchewan Heritage Foundation that was published in the Star Phoenix. This op-ed is all about the disparity in support for heritage projects around the province, as well as criticism of the way the current bureaucracy in the Ministry of Parks, Culture and Sport (where the Saskatchewan Heritage Foundation is connected) has been running roughshod over the Foundation.

It’s a hard-hitting piece. I was on the Board of the SHF for three years, and I had a lot to say about heritage in Saskatchewan, and the way the SHF board has been working hard to protect, and fight for, the groups working on heritage projects across the province. In the end, I called for those currently running for the leadership of the Saskatchewan Party to look into the debacle, and get things straightened out.

I’ve since spoken about the issue to sitting MLAs and Saskatchewan Party leadership contenders, because this is an issue that transcends party politics. The SHF has been in existence, helping the people of Saskatchewan for more than 25 years. Heritage is not about politics. It’s about dedicated people fighting hard to save their heritage buildings and cultural landscapes, from north to south, and from east to west across Saskatchewan. Every political party and MLA has a heritage project in their backyard. And the current Ministry officials in the department of Heritage for the province of Saskatchewan are not doing a good job of supporting the SHF, its board, goals, and by extension the people of Saskatchewan.

I’m glad to see some traction on this issue. I understand that the pressure will continue, and I’m encouraged to know that it’s now in the Hansard as a permanent record — even if they accidentally thought that I’m a male, not a female historian.

To sitting and incoming MLAs: keep this on your radar. The people of Saskatchewan expect it: Do better.

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Steps.Cover.2013

We are so pleased to announce the launch of our new book, 36 Steps on the Road to Medicare: How Saskatchewan Led the Way.

The launch is set for Thursday, December 5, 2013 from 7-9 pm.

McNally Robinson Booksellers, 8th Street, Saskatoon.

Distinguished former premier of Saskatchewan, Mr. Roy Romanow, will be on hand to make introductions and draw a crowd.

See you there!

Houston Massie Romanow DE 05 2013 MRB Saskatoon

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Some 2013 activities to report:

SK Sense of Place.imagesCAFVW9ZL

1. Saskatchewan: A Sense of Place — Guest Speaker:

On February 21st, 2013, I was invited by the University of Saskatchewan Archives to be the guest speaker at their Saskatchewan: A Sense of Place exhibit. Located in the annex between the main Murray library and its north wing, the exhibit showcased Saskatchewan novelists and writers, a selection from the extensive postcard and poster collection, and a fantastic display of Saskatchewan local history books. As the guest speaker, I had my choice of topics — but for me, it was simple. My MA work, back in the distant past, studied Saskatchewan local history books and I had a ball regaling the audience with backstories of mice, murder, and mayhem (the stories that didn’t make it into the history books — and why!). It was a hugely successful event and I enjoyed the beautiful music provided by Carolyn and Sonia, to round out the afternoon.

2. Adjunct Professor, School of Environment and Sustainability:

In September 2013, I accepted an adjunct faculty position with the School of Environment and Sustainability, University of Saskatchewan. Think of it as an ‘association’ or perhaps an ‘affiliation’ if the term adjunct is too weird. What it means: we have a formalized relationship, where I have a home University base at the U of S, and can advise or mentor students whose projects fit well with my own research strengths.

3. The Future of Farming: Guest Speaker:

October 23, 2013 saw me troop back to the U of S campus to visit with students from the new Interdisciplinary Learning Communities group at the U of S. (Find them at http://www.usask.ca/ulc/lc/about). Along with soil scientist Terry Tollefson from the College of Agriculture, we hosted an open forum on “The Future of Farming”. The session was live-taped, and when the link becomes available, I will post it HERE. (That could take some time — bear with me!). Learning Communities coordinator Joel Fonstad said afterward, “we’ve never had so many questions!” What will the future of agriculture look like? Three thoughts from my corner were: increases and market gains in the farm to fork movement; increased growth in Hutterite colonies and perhaps a lesson there in how agriculture will look; and some thoughts on climate change and the pole-ward progression of farming. It was fun, as a historian and active farmer, to let my thoughts fly forward instead of backward, projecting toward a future that will — yes– bring change and growth and difference to western Canadian agriculture.

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Canada lost a legendary Canadian recording artist, Stompin’ Tom Connors, in 2013. I know all the words to The Hockey Song. Bud the Spud takes me to Prince Edward Island’s potato farms and red mud. Sudbury Saturday Night taught me about bingo, bars, and letting loose with friends. And I know that the Man in the Moon is a Newfie. From Newfoundland, of course.

Actually, at one point in my life, I thought all these songs were written by Elmer Lammadee, a folk singer and local musician in the village where I grew up. Elmer’s stock in trade was singing Stompin’ Tom songs, complete with cowboy hat, boots, and board to stomp on. Every year at the Paddockwood Queen Carnival in March, Elmer would command the stage (a beautifully sectioned-off end of one of the school rooms, complete with rich purple drapes) to guide us through our favourites. When Connors passed, the local media spoke with Elmer about his tribute legacy: http://panow.com/node/310664.

The death of Stompin’ Tom reinvigorated some interesting conversations on the role of music in shaping Canadian identity, the Canadian content laws for radio and television, and the uniqueness of the Canadian story.

As a Canadian historian, and one with a particular interest in place, I use music and lyrics extensively in both my personal writing and in my courses. Students love the perspective brought forward by Canadian musicians, from Stompin Tom to Gordon Lightfoot, James Keelaghan, Great Big Sea and The Tragically Hip. I jig to old Rankin Family tunes and I think the live version of Mull River Shuffle is one of the best get-your-heart-rate-up songs ever performed. The Arrogant Worms gave us The Last Saskatchewan Pirate, which has no historical basis but it’s become the provincial anthem. I play it loud the first day of my classes and the students ‘get’ where I’m coming from immediately.

The list of Canadian music icons and their music about Canada is endless, and growing every day. I sat in delight last year when David Myles came through Biggar, and sang (among other great songs) Inner Ninja. It was the ‘original’ song without the vocal talents of Classified, but I may have loved it even more in the raw.  Although it’s not specifically ‘Canadian’ — no references to hockey, the Maritimes, or Tim Horton’s — the song describes an understated determination that seems, well, Canadian.

I do think that I would be the poorer if there were no Canadian content laws governing the airwaves. There is a recognition, a connection, to songs that speak about Canada that resonates with me. Do they make me more ‘Canadian’? Hard to say — I’m not sure that’s possible. I’m so Canadian I bleed red, of course (except when I bleed green, since I live in the green-and-white zone of Riderville, the land of the Saskatchewan Roughrider football team…). But the music gives voice and song and spirit to my Canadian-ness.

Funny how that can drive through your soul at the oddest of times.

Picture this: It’s August 2013 in Munich, Germany. The main hall of a beergarden, and it’s Saturday night. You’ve just finished four back-breaking days of labour, but the conference is finally ended. You’re sitting around a table with friends and colleagues, under the dim light of the dance hall lanterns. Everyone’s laughing and joking and telling stories about their neighbors. You’re halfway through a bottle of… weisbier… and you’re getting all fired up. For the dance… Ladies and Gentlemen, I give to you, the Bavarian Biergarten Shuffle…

And onto the stage comes a classic Bavarian biergarten band, decked out in lederhosen and dirndls. And when the evening blows open, after the ‘oom pah pah’ polkas that all sound like ‘Roll out the Barrel’ and ‘She’s Too Fat’, the band busts out their best Bavarian Biergarten version of Bryan Adams’ Summer of ’69.

That, my friends, is when you feel truly Canadian.

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Please note: this blog first appeared on ActiveHistory.ca 20 June 2013. See http://activehistory.ca/2013/06/tap-dancing-and-murder-in-a-grade-seven-classroom/

“My tap dancing just isn’t good enough,” she wrote. She: my daughter’s high school English teacher. Tap dancing: teaching (to pubescent, smartmouth, intelligent, tired kids at the end of June in rural Saskatchewan). “I remember a staff meeting conversation from some point where you were willing to come in and talk with students.” What’s the topic, Mrs. J? Reconstructing Past Lives.

Excellent. That is EXACTLY what historians do, right? So I set off to find out if I could tap dance for teenagers. Just for a couple of hours. After all, I tap dance for University students on a regular basis. How hard can it be?

Amid recent media controversy about the conservative federal government looking to choreograph the tap dancing of Canadian history (see here and here), I was curious to find out just what a typical Canadian grade seven student already knew.

We decided to focus on source hunting for the first hour. Here’s the question: if you’re writing a movie, let’s say, set in 1931, what do you already know? Great Depression! And we’re off and running. Where do you look for more information? Google (of course. Duh.). Grandparents. Books. My daughter said ‘archives’ but then had to explain what they were, and what kind of stuff is kept in there.  She sounded bored and resigned, smart and engaged, all at the same time.

Then it was time to get personal. What was going on in our town, Biggar, in 1931? How do you find that out? Was there a newspaper, Mrs. Massie? Yes. Same newspaper we have today, the Biggar Independent. I had borrowed a microfilm copy from the local museum, and brought it in, along with a microfiche reader (which are small, light, and more portable than a microfilm reader, even if you can’t see as much). Is that a television, Mrs. Massie? A really old computer? So I took it apart, and let them look inside. COOL! It’s nothing but a mirror and a light!

Really, I felt like a magician. Ta DAH!! Old newspaper, on the wall of the darkened classroom for all to see. I had scanned and digitized it properly, so we put that on the smartboard. And I’d made paper copies. Triple the technology – but the students liked the micro just as well.

Front page news: MURDER near Biggar. Really, I hadn’t planned that part. I chose 1931 at random. I chose a date as close to my classroom visit as possible – June 11, 1931. Serendipity pulled us along.

Not only was it a murder (manslaughter, actually), but the murderer was none other than Louis Forchetner. He’s not famous. You’ve never heard of him. But I had – because my husband’s grandfather was there when the murder happened, and bought our farm from the murderer. Family lore knew the story, albeit slightly corrupted by the years. At a Farmer’s Unity League meeting (we thought it was a dance), a fight broke out. Forchetner stabbed Reid Hayes, who died in hospital after giving a deathbed statement. The enraged stabber went to jail for five years, in the depth of the Great Depression.

COOL! Murders (think CSI Biggar – you think we can franchise that?) pop kids eyes open. But there were other neat stories and advertisements in the paper. “What are piles, Mrs. Massie? Where’s your dictionary? [three minute wait…] OH GROSS!!!!” Did you know that Ogopogo was dead? And that some scientists added green and purple serum to fertilized eggs and came up with green and purple chickens? Grey Owl had moved to Manitoba, and Queen Mary was in her 60s. There were no speed limits on cars in Saskatchewan, but you had to slow down when passing horses, and pull off to the side of the road for hearses.Glaciers were melting. Attendance was down severely at the year-end fairs and picnics. A sense of despair exuded from the paper, but a Mickey Mouse cartoon was at the theatre.

“Mrs. Massie, why were newspapers so much more interesting back then?”

Well, why do you think? (Imagine the 13 year old collective BORG scrunching their eyebrows in thought). Answer: there was no TV or internet back then. I nodded my head proudly.

Mr. Harper, they’re doing fine.

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This post was originally published on ActiveHistory.ca 14 May 2013.

Over the past two years, I lurked in the halls and wandered wide-eyed through the conferences of my social and natural science colleagues. An interdisciplinary institutional postdoctoral fellowship, funded by MISTRA (The Swedish Foundation for Strategic Environmental Research) and routed through the University of Saskatchewan, ensured my place at the lunch table and at the front of the classroom.

So, I’ve spent two years trying to explain how I, as a humanist, conduct my research. More importantly, I’ve noticed, the question is not so much how, but where does that research take place?

Since most of my professional work has focused on the 20th and 21st century, I do (on occasion) conduct interviews and focus groups with living people. I even have a working knowledge of qualitative methods, rigour, and the point of statistical analysis. I parlayed this penchant into the postdoc, with good results. But I remain, at heart, a document hunter/gatherer.

Working with social and natural scientists, I soon learned that research is about data generation. Set up the research parameters/test/study/measurement/focus group/survey/experiment, in order to generate data. Few, if any, ever work with someone else’s data set. The core concern is to generate something new.

That was my first hurdle: what I always thought of as ‘sources,’ now had to become ‘data.’ It’s a bump in the sidewalk that I trip over, every time.

No matter. I forge ahead, explaining gently that although I do sometimes generate new data (using oral interview techniques, statistical analysis, or focus groups), I usually work with sources that already exist. It becomes my job to find those sources, hunt and gather, thinking laterally and strategically, sometimes hitting brick walls or large empty chasms where my ‘data’ (sources) should be but are not. Or I am showered in luck, serendipity, and happenstance and find a treasure trove, an untapped new source waiting for me to harvest, like a new bed of sweet grass, or a docile pod of mule deer.

But, but, where do these sources exist? Are you talking about libraries? Confusion reigns, for libraries, of course, contain outdated data. If it’s in a book, it’s too old. Anything more than five years old is virtually unusable. (Of course, we all recognize the deliberately obtuse generalization here – many social scientists regularly work with similar sources and data sets. Natural scientists, though, perhaps not so much).

No. My data/sources are to be found in archives. Archives? What, exactly, are archives and what kinds of information do you find there?

And that’s how I twigged onto a new way of explaining where I conduct research.

An archive, I now explain, is much like a lab: laboratory space along the lines of the Canadian Light Source Synchrotron at Saskatoon or one of the Toxicology labs or a soil science lab or….  A lab has certain physical requirements that are conducive to research: it requires physical space with heating, light, and custodial services; equipment (shelves, tables, chairs, finding aids and guides, archival quality storage boxes and containers, microfilm readers, lightboxes, cotton gloves, and pencils instead of thermal analyzers or microcalorimeters or…); it needs trained staff (archivists); and it houses raw materials (archival documents, which range from photographs to text to sound recordings, collected over time).

The questions that I, as a researcher, bring to the archive are what guide me through my research process, in the same way that another researcher might ask questions and conduct experiments using the materials/equipment found in a lab. Different researchers posing different questions use different equipment and materials. Each archive is slightly different in its materials and equipment, just like no two labs are exactly the same.

Presto pow! Lights on, understanding, and we’re back on equal footing. (There remain big questions surrounding how I do research and if it is objective, verifiable, and replicate-able, but those are larger questions that might never be solved, as they stand at the dividing line between humanities and natural science research).

Why is this important? I call on all of my fellow humanists and social science researchers who use archives to co-opt this terminology switch, and broadcast it freely. Because I believe that this terminology switch might help save our archives from folding under the collective weight of government and institutional non-support. At a time when investment in science-based laboratory and experimental research is growing (witness the Global Institute for Water Security, and the new Global Institute for Food Security at the U of S), archives funding is cut. We can stop this.

Archives (which collects a record of anthro-centric activity reaching back through time) is the laboratory with which to build research that changes the way our world works and thinks about itself. In fact, I charge you to find another lab that has supported an equal range of research depth and breadth and temporal scope. Where would we be in our knowledge about residential schools, lesbian and gay rights, health geography and poverty, First Nations land claims, war activities, medicare, social protest, and climate change without archives? Accessed by researchers not only in history but in archaeology and anthropology, art, literature, science, technology, sociology, linguistics, education, law, commerce and business, industrial development, mining, resource management, First Nations and Metis studies, institutional foundations, governance and government, medicine and nursing, engineering and agriculture, archives reflect how we as humans make decisions, and what the consequences of those decisions have been.

So let’s make one easy switch: the next time you visit an archive, think of it – and talk about it to interdisciplinary colleagues, institutional leadership, and your MLA and MP – as a laboratory. Co-opt the language that is already implicitly understood – and funded.

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Recently, I was invited to attend the annual meeting of the Yellowhead Flyway Birding Trail Association annual meeting. It will be held April 13 at the Churchbridge Town Hall in Churchbridge, Saskatchewan, from 11 am to 7 pm. Registration is open, and more information can be found at:

http://www.yfbta.com/activities/symposiums/2013/symposium2013.htm

As you can see from the list of presentations below, it promises to be a fantastic day.

Lorne Scott Transfer control of Community Pastures and the environmental impact; closure of the Indian Head Tree Nursery
Alan Smith Birding by Ear
Merle Massey The Great Trek North: Depression Resettlement to the forest fringe in the 1930’s.
Anna Leighton  (Author / Ethno-botanist) What the Cree taught John Richardson in the 1800’s

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